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Writing Time - Isobelle Carmody

Writing time...


This is my guest writer’s blog for Tyle&Bateson Publishing. I’m going to talk about time - not about theories of time, which is pretty interesting, actually, but about how to manage time, as writers.

I fight with time constantly and despite the feeling that I am always losing, I have written over 50 Books.

There are a few aspects of time that I will cover in this piece. Time management of your time to write, management of the time in which you write and management of time in the piece you are writing.

The first and most difficult is how to fit time in to write. There is no easy answer to this question, save to say that writing is (or should be) a bit addictive. That means the more time you give to it the greater your motivation to do it again. Addiction and obsession will win out over simple self-discipline every time. Assuming you actually like writing, it’s not hard. What is hard is allowing yourself to demand the space to write.

Even for someone like me who is a professional writer, which is to say I and the world define me as a writer and so I can say I am a writer, surprisingly, that actually matters.

You have first to believe you are a writer and that is one of the things writing regularly can help you with. A writer writes, ergo if you write you are a writer.

Writing and believing you are a writer will give you strength for the next thing - making other people see you that way.

This is a lot harder, mostly because you write when you are alone, so there are no witnesses to that sweet and terrible labour. It must be accepted on faith that you write. This can be helped if you regularly tell people you can’t see them at this time because you are writing. Say no enough times to events and occasions, pointing out that you are writing, and people will get it. It also forces you to do the work which you are cutting out time to do. All of this is self-perpetuating - the more you write the more you will allow yourself to write and the more you and others will see you as a writer.

Next, I need time and routine and no distractions in order to write because these things stop me from sinking into a story - what I call going deep. I do my best writing in these deep writing periods, and frankly it is in these moments that time literally seems to open like a flower so that you feel the space around you mentally that you need in order to write. My suggestion is to set up a good and very specific routine - choose a place or a couple of places to work in and a certain period in which to work. I start in bed in my pyjamas with a cup of tea - that stops me getting distracted by all the million things I need to do. I start as early as possible - set an alarm to get you used to waking at the same time. I sometimes stay like that - maybe moving to the kitchen table if the coast is clear and no one else is home, till lunchtime. I will then go for a coffee either mid-morning or mid-afternoon and that will require a shower and dressing. I will stay in the coffee place as long as I can, writing. I have several spots and they are all places I like where I can sit without being badgered to eat more. If people come who distract me - people with loud voices or screaming babies, or the music is awful or too loud or I’m too cold or hot, I go elsewhere - this is one sample of the many routines I have to help me write. These routines also help other people to not bother you and understand that you are serious about what you do. This helps you to be serious about your writing, too.

Be gentle and loving and nurturing to yourself when you write. For me, working in places where I can see nature really helps. It feeds my soul when I look up. It simply makes me happy to be there writing.  I have the tea and sugar I like and a tea pot and tea cosy. These give me aesthetic pleasure. I put a hot water bottle on my lap if I’m cold or just to comfort myself.

Sometimes when I come back home in the middle of the afternoon I have a bath and listen to an audio book as a reward for working and then I start again when I get out - of course when I had a baby or young child that was something I did in the night - one of the perks of being an insomniac.

Because honestly, creating - pulling something out of literally nothing - is incredibly amazingly hard to do (though it is also sometimes extraordinarily easy, when you are on a roll) and when it is hard, routines and believing in yourself really help. They anchor you.

Management of the time in which you write can be as simple as having a word count you want to reach. I don’t count words so I try to get to the end of a bit in the story.  Some people set time limits to write by - this can be surprisingly effective if you only have bits of time to write in.

 

It also helps you to begin again, if you have a method of arranging your time. The routine is comforting and conducive to work.

If possible I just begin the next bit by a few sentences before I stop, because I know it will be easier to start again if I’m into something happening. I only ever let myself read back a few sentences when I resume work, just to catch the mood again - I try REALLY HARD not to fiddle - just to read and go on - it’s often hard, like turning a stuck wheel and for a bit I often feel Like I’m Somehow pretending to be a writer. Then the story takes me and I’m off.  (which is why it is vital to like and be engaged by what you are writing)

Finally, management of time inside a story. The simple answer is to draw a timeline and note on it in point form only, the major events that have taken place in your book or story, and any coming up that you imagine - that way you can see at a glance where the bulk of the story takes place and it’s easy to de if you are spending too much time on one portion of the tale or setting it in one place. It also helps when you want to reorder events or add something.

Hope it helps and remember you can ask new questions or dig into what I have said here, and I’ll respond here in the thread of comments.

 

Good luck with your writing

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Publishing Changes Over the Last Decade

Welcome to 2020 – a new year and a new decade.

I thought it would be good to the start the year by reviewing how the publishing landscape has changed over the past ten years.

It is hard to believe the disruptive changes to publishing that have happened since 2010. Mike Shatzkin’s recent blog, A Lot Has Changed in Book Publishing in the Past 10 Years https://www.idealog.com/ is a dramatic reminder how much has changed.

The introduction and popularisation of IOS and Android phones and tablets have increased our access to information and connectivity that was almost unthinkable in 2010. By 2020 we have our personal library at our finger tips with the ability to pull up a book whenever or wherever we are in the world. It is difficult to remember life without our smart devices.

The first truly successful eBook reader became readily available in 2009 and dramatically changed the way in which we consumed books. Amazon’s kindle reader was the most nimble and soon overtook rivals Nook and Kobo. While I enjoy reading books on my dedicated reading device, I tend to do most of my eBook reading on the smart phone. This is a world-wide trend supported by an article from 2015 in The Wall Street Journal (Link). The dedicated reading devices such as Kindle, Nook and Kobo are now only a small part of the eBook market.

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Posted by on in General Articles

adult-application

 

What is that ‘indefinable quality called heart’ in a piece of writing? It is text which communicates directly to a reader, an editor or a publisher. It stands out from all the other unsolicited manuscripts in the pile calling to the editor to read me, read me!

 

 How does a new writer achieve this? Everyone one has a unique way of seeing the world and it is this that a new writer must harness as their voice. Heart-felt writing touches the soul and transforms the ordinary into the extraordinary. The core of any tale should shine with prose where every word moves the story along. Language which sings with the rhythm and the cadences of perfect sentences.

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Tagged in: Publishing Writing

Posted by on in General Articles

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The Gentle Art of Reading

New writers are always being told to read. Sometimes widely is added to that admonition. At other times the instruction includes the phrase ‘out of your comfort zone’. Occasionally it’s repeated for emphasis; ‘Read, read, read and write, write, write.’ But what is often left out is how to read.

 

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How does anyone keep up with everything that is going on in the digital age? What would Charles Dickens do in this age when more books are published than ever before across three different forms – digital, audio and hard copy – and when authors are expected to post regular updates about their life and work across the many platforms afforded them by social media? Would he be tramping across London still? I like to think of him, armed with a smart phone, updating his Insta with selfies with Wilkie Collins or a beef pie and pint taken after a good tramp. Would he have tweeted ‘Carrying Wilkie in Cumberland #sillysprain#BFF’?

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Self-portrait in Despair, Courbet, 1844-45

 

Jeanette Winterson spoke for many authors at the recent Australian Book Industry Awards when she said:

What we’re really protecting is the life of the mind; the creative core of what we are. If you attack creativity what you’re saying is that it doesn’t matter that we’re human beings, because very human being ever born across this planet, across time, is part of the creative continuum. We’re protecting something which is so valuable. This is more than an industry. This is the heart of humanity ... We need to protect this ecosystem.  

Jeanette Winterson,  Australian Book Industry Awards,  2016

At the Australian Book Industry Awards last Thursday (19 May), Jeanette Winterston made an impassioned plea on the behalf of Australian writers and readers and everyone involved in the Australian book industry.  She urged us to fight the Productivity Commissions Draft Report on Intellectual Property ‘with every breath.’

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I've been thinking recently of my early years writing when I'd just started having poems published in various journals around Australia. I had begun my poetry apprenticeship - and, like any apprentice, I was helped enormously by those who had already established poetry careers. This was in the mid 80s - a time before the real burgeoning of creative writing courses and just before the establishment of the state-based writers centre in Victoria.

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So last year I did something I'd always wanted to do. I participated in NaNoWriMo. I wrote 50,000 over the course of November and I have the certificate to prove it. Why did I participate? Surely, as someone who calls herself a writer, I'm writing all the time. Well, yes and no. I do try to write in a disciplined way but there are times when different areas of my life compete for time. I wanted to immerse myself in the writing experience and I knew if I told everyone - and, just as importantly - if I told myself - I was participating in NaNoWriMo, my writing time would become a priority that people (including me!) imposed on only with great reluctance.

The incidents I wrote about aren't in sequence. There is a slightly higgledly piggledy aspect to the whole because part of the time I was writing in text box programme called Write or Die, which made my computer emit frightening noises if I didn't reach a specified word count in a given amount of time. I tried to keep editing and revision to a minimum, so the whole has a ratty shape and an important plot element came to me about halfway through the month of November. On the whole, however, I'm really happy. I loved the experience of writing and trying to keep on-going revision to a minimum - normally I revise laboriously I go. Above all else, it proved to me that I can write a lot over a short period of time if I just make that time.

When the month was over, I felt a little lost, although Christmas loomed. When Christmas was over, I found that I could settle back into revising the novel I had been working on prior to NaNoWriMo with more dedication. I had no excuse, after all. I even had a certificate to prove it!

I recently discovered there's a whole host of different timed writing challenges - and a wiki with all the information.

Who is going to join me NaPoWriMo? Sounds like fun!

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Recently my tablet keyboard abruptly stopped working. Okay, I thought it was abrupt until I remembere the almond milk incident. I immediatley ordered another keyboard which, when it arrived, worked for a third of a sentence and froze. I had a mini breakdown, during which I alienated the family, including the dog, by not shutting up about how technology had failed me.

Posted by on in Writing Articles
The Perfect Sentence

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I’m like Stanley Fish; I appreciate the fine art of the perfect sentence. I love its structure, pattern, poise and precision. Fish’s ‘How to Write a Sentence and How to Read One’ has seduced me. How could I not buy a book whose first quote is?

 

One Day the nouns were clustered in the street,

An Adjective walked by, with her dark beauty.

The Nouns were struck, moved, changed.

The next day a Verb drove up, and created the Sentence.

 -Kenneth Koch, “Permanently”

 

I causally picked up the book in the GOMA bookshop in South Bank Brisbane. I was so excited that someone else loved the sentence as much as I did. I had to have this book. Instead of collecting fine wines or lino prints, Fish collects sentences. And so do I!

 

 

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It's an easy phrase to say; you can't judge a book by its cover. But the reality is different. We always judge books by their covers. I've been teaching a class on Virginia Woolf's To the Lighthouse and this prompted me to do some reasearch on the packaging of that book over the years. Here are three completely different covers.

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